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Dear Care and Feeding,
I have a 14-year-old son, “Ed.” Ed’s in his school’s theater club, and they’re putting on production for the end of the year. Normally they do Shakespeare adaptations, but this year the club president decided to shake things up and they’re staging an adaptation of some old sci-fi video game, about a group of people (aliens, I suppose) trying to reclaim their homeworld after an exile. Ed is playing the senior fleet intelligence officer. I’ve been to a few of his practices, and the character he plays, as well as the degree he gets into character, is extremely disturbing. It’s this extremely cold, callous, ultra-professional in a very nasty profession sort of character. He has another character tortured to death and later relates it to the other bridge crew/major characters with a completely casual “Subject did not survive interrogation.” He pretty much never shows anything on his face when playing the part, and several of the other characters are noticeably uneasy around his.
I get that Ed isn’t the characters he plays. But the way he shifts into this character and holds that role makes my flesh crawl. I’ve seriously considered pulling him out of the theater club over this, although I haven’t pulled the trigger on that so far. Am I going too far with this? Ed would hate it if I yanked him out, but at the same time I am convinced that playing this character is unhealthy.
—Theater Trouble
Dear Theater Trouble,
I think you could have stopped at “Ed isn’t the characters he plays”! Making him quit the club seems like it would be a massive overreaction. If you find him disturbing in this role, don’t you think that probably just speaks to his ability as an actor? If the club had stuck with Shakespeare and put on Othello, would you force him to give up the role of Iago?
I’m guessing that Ed likes theater club or he wouldn’t be a part of it. Instead of freaking out and yanking him from the production, maybe ask him how he feels and how it’s been going for him. What does he think about the play? How does he feel about his character? What sort of direction or input is he getting from the club? What other sorts of roles would he be interested in down the line? Let him tell you about the experience; the good things he gets out of participating. This is one role in one play—you may not like it, but try to remember that he’s an actor playing a part and let him enjoy it.
Dear Care and Feeding,
I have a 14-year-old son, “Ed.” Ed’s in his school’s theater club, and they’re putting on production for the end of the year. Normally they do Shakespeare adaptations, but this year the club president decided to shake things up and they’re staging an adaptation of some old sci-fi video game, about a group of people (aliens, I suppose) trying to reclaim their homeworld after an exile. Ed is playing the senior fleet intelligence officer. I’ve been to a few of his practices, and the character he plays, as well as the degree he gets into character, is extremely disturbing. It’s this extremely cold, callous, ultra-professional in a very nasty profession sort of character. He has another character tortured to death and later relates it to the other bridge crew/major characters with a completely casual “Subject did not survive interrogation.” He pretty much never shows anything on his face when playing the part, and several of the other characters are noticeably uneasy around his.
I get that Ed isn’t the characters he plays. But the way he shifts into this character and holds that role makes my flesh crawl. I’ve seriously considered pulling him out of the theater club over this, although I haven’t pulled the trigger on that so far. Am I going too far with this? Ed would hate it if I yanked him out, but at the same time I am convinced that playing this character is unhealthy.
—Theater Trouble
Dear Theater Trouble,
I think you could have stopped at “Ed isn’t the characters he plays”! Making him quit the club seems like it would be a massive overreaction. If you find him disturbing in this role, don’t you think that probably just speaks to his ability as an actor? If the club had stuck with Shakespeare and put on Othello, would you force him to give up the role of Iago?
I’m guessing that Ed likes theater club or he wouldn’t be a part of it. Instead of freaking out and yanking him from the production, maybe ask him how he feels and how it’s been going for him. What does he think about the play? How does he feel about his character? What sort of direction or input is he getting from the club? What other sorts of roles would he be interested in down the line? Let him tell you about the experience; the good things he gets out of participating. This is one role in one play—you may not like it, but try to remember that he’s an actor playing a part and let him enjoy it.